…. and, along with my son, so did I.
The Winter NAMM Show is overwhelming — the very first time you go it will cause dizziness and severely sore feet. Then there’s confusion, disorientation and a feeling of ‘what am I doing over here when I should be over there?’ First and foremost it’s a music industry trade show, intended as a promotional endeavor for hundreds of companies that are involved in businesses relating to music. For the musicians it offers opportunities to connect with companies for endorsements, perform in both formal and informal settings for a captive professional audience and to establish the fact that you are someone worth noticing. (The NAMM Show is closed to the general public — you must have some connection/affiliation with a professional company/vendor to even walk through the doors.)
While I did meet up with acquaintances and make new friends, this show was hampered by the fact that our hotel (promoted as conveniently located to the convention center) was a 35-minute bus ride away that required a 15 minute walk to the bus stop and between a 30 – 50 minute wait for the bus. Taxi service was at a premium requiring up to 40 minutes wait and a hefty fare. Normally, the hotel is within convenient walking distance to the convention center and I’ve never needed a rental car. But, all things considered, we made the most of the trip, and I did meet Pat Quilter (whose transistor amps are at least as good as my favorite vintage brand (Lab by Moog)) as well as some other nice folks. The details have settled in as the weeks have passed. Rather than rant on here, I’ll get to some timely news.
I’ll be performing in my first-ever guitar/vocal duo with the incomparable JayKatz beginning in April. Actually, Jay will join me in a 2-guitar/bass/voice quartet in March at the superb restaurant August Moon. This project is also a first for me — the quartet is a drummerless group and is assembled from my duos. This is the first time we’re all playing together at the same time. In addition to JayKatz, this group includes Tony Hughes on guitar and Nick Krolak on bass.
I’ve been more involved in studio production work, most immediately in mix/edit/master work with duo recordings with Jay, and with solo recordings for my next release Balance. I do go deep when I’m involved with any recording work and 4 to 6 hours in the real world seems like 2 hours in studio time. Of course, I spend a serious amount of time sweating over every note on playbacks — I am excessively critical and I always need to give myself some space after any recording session. So, this means results of the solo sessions are pending…. I will say that I really like ribbon mics now……
I’m working with almost five hours of sleep so I believe I’ll close this posting and come back with a new one when I’ve rested a bit more. Let me offer one of my famous / notorious window shots from my trip to CA. This is just outside Salt Lake City UT.